Conclusion

Scrapbooking—embraced as methodological rupture and haptic epistemology—structured this excavation of Hudinilson Jr.’s Cadernos de referências. Its deliberate methodological adoption proved not merely instrumental but constitutive, distilling the study’s sharpest interventions while resonating with Jack Halberstam’s formulation of low theory: that insurgent mode which “darts back and forth between high and low culture [...] in order to push through the divisions between life and art, practice and theory, thinking and doing, and into a more chaotic realm of knowing and unknowing,”1 operating as “the theorizing of alternatives within an undisciplined zone of knowledge production.”2