Populism and Folk Performance

This entry presents a comprehensive exploration of the evolution of the folk performance tradition known as Naach in the regions of Bihar and Eastern Uttar Pradesh. Focusing on Launda Naach, a form of male group dance that often involves the impersonation of women, this study unveils its remarkable transformation in response to shifting socio-cultural landscapes. Naach, rooted in the folk heritage of Bihar, has manifested itself as a dynamic, adaptable, and localized art form cherished by rural communities in informal, non-commercial settings. It stands in deliberate contrast to the formal and rigid classical art forms favoured by the elite. A pivotal moment in the narrative comes with the contributions of Bhikhari Thakur which catapulted Launda Naach to national and international recognition. As a reflection of ethnic identity, Naach has moulded itself to cater to the cultural and social aspirations of local communities. This traditional performance, marked by its melodic songs, vibrant dances, and sometimes provocative undertones, predominantly enlivens celebratory spaces, serving as a source of entertainment for the local populace.. Naach, undeterred by the forces of urbanization and the pervasive influence of mass media, effortlessly integrates contemporary musical and dance trends, notably from the Bhojpuri and Bollywood film industries. This ensures its resonance with the preferences of the current generation. The form exhibits a unique ability to domesticate foreign elements and adapt to evolving aesthetic sensibilities. It exhibits a remarkable capacity to engage with contemporary themes, addressing current societal issues and exploring new platforms.