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In order to conclude the present discussion, it is necessary to tackle an essential question, namely, the idea of structure in Chinese painting. There were, as stated above, different styles and different stages of development of painting in ancient China, including different ideas about structure. In the previous chapters we actually came across this issue many times, but it is still necessary to devote a chapter to it in particular, even at the cost of some repetition.

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A Unity of Expressive Act

  • 章节

  • 发表日期：

    2025年

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  • Jianping Gao

摘要

In order to conclude the present discussion, it is necessary to tackle an essential question, namely, the idea of structure in Chinese painting. There were, as stated above, different styles and different stages of development of painting in ancient China, including different ideas about structure. In the previous chapters we actually came across this issue many times, but it is still necessary to devote a chapter to it in particular, even at the cost of some repetition.