The paper addresses the need for an authentic Assamese typeface by exploring the historical Kaitheli script from Assam in India. It fills the representational gap in the literature that predominantly focuses on Bengali typefaces. Current approaches lack applied research on reproducing ancient Assamese letterforms into digital display typefaces. The research questions investigate the design iteration process for creating a new Assamese typeface and its emotional characteristics. The methodology involves referring and digitising historical manuscripts, analysing letter structures, and using conventional hand and new digital techniques and iterative design processes. The main findings highlight the unique anatomical characteristics of the Kaitheli script, such as its sharp angles and continuous lines, and demonstrate how these elements can be incorporated into a modern typeface. The conclusions emphasise the significance of preserving cultural identity through type design and suggest implications for further research on vernacular scripts. The paper contributes to the field by presenting a detailed process for designing a culturally rooted Assamese typeface, bridging the gap between historical calligraphy and contemporary design to be used in the everyday context of digital media and visual communication. The study underscores the potential for creating typefaces that resonate with cultural heritage, enhancing the visual identity of the Assamese language in digital media.

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From Calligraphy to Digital Typeface: Designing an Assamese Display Typeface Based on a Mediaeval Assamese Script

  • Parikshit Dutta,
  • Saurabh Tewari

摘要

The paper addresses the need for an authentic Assamese typeface by exploring the historical Kaitheli script from Assam in India. It fills the representational gap in the literature that predominantly focuses on Bengali typefaces. Current approaches lack applied research on reproducing ancient Assamese letterforms into digital display typefaces. The research questions investigate the design iteration process for creating a new Assamese typeface and its emotional characteristics. The methodology involves referring and digitising historical manuscripts, analysing letter structures, and using conventional hand and new digital techniques and iterative design processes. The main findings highlight the unique anatomical characteristics of the Kaitheli script, such as its sharp angles and continuous lines, and demonstrate how these elements can be incorporated into a modern typeface. The conclusions emphasise the significance of preserving cultural identity through type design and suggest implications for further research on vernacular scripts. The paper contributes to the field by presenting a detailed process for designing a culturally rooted Assamese typeface, bridging the gap between historical calligraphy and contemporary design to be used in the everyday context of digital media and visual communication. The study underscores the potential for creating typefaces that resonate with cultural heritage, enhancing the visual identity of the Assamese language in digital media.