This study explores the perceptual distinctions between Jaali, a vernacular architectural screen, and contemporary grid patterns. They are grounded in Gibson’s theory of affordances, Kaplan’s preference framework in environmental psychology, and Edward W Soja’s third space. This study uses a visual identification task and curated exhibits to examine how design can affect perception and emotion. This research fosters a creative dialogue between vernacular architecture and contemporary design. The tension and harmony between vernacular architecture and the evolving nature of modern architecture will be examined using juxtaposition, innovative research methods, and speculative perception through artistic inquiry. The findings show that the denser patterns are associated with vernacular Jaali elements with feelings of intimacy and privacy, whereas these sparser grids are linked to modernity and openness. This research informs a speculative design exhibit aimed at understanding the negotiation between the vernacular and contemporary creative interpretation of Jaali.