This paper investigates the temple chariots of Odisha (India) and examines the concept of microarchitecture through these mobile, sacred structures. After considering varied perspectives on microarchitecture, Bucher’s definition (1976) has been adopted for this research. It implies that microarchitecture is a concept that reflects the design principles of larger structures in making smaller-scale structures, imitating stylistic expressions in miniature forms. The temple chariots, known as “Rathas, Ther, or Viman”, have been realised in Odisha in very distinct and specific forms, owing to the region’s history, culture and architecture. The chariots, which are used in religious processions and festivals, are intricately crafted. It is observed and inferred that they display substantial similarities with that of the Kalinga temple architecture. Therefore, this study intends to document and analyse the temple chariots of Odisha, contextualised within the renowned Kalinga temple architecture (7th—13th Century), building on—historical references, cultural significance, and craftsmanship. Using a case study-based approach, this deductive research aims to enquire and reveal the system of making seen within these chariots, shedding light on the close connection between architecture, religion, and community participation in their creation. Also, the study relies on archival research and on-site documentation to gather information. A thorough analysis of the underlying principles that guide the making of these chariots and their geometry, proportions, symbolism, and ornamentation highlights an interconnection with the Kalinga temple architecture. The intended outcome of this research is to create a repository of temple chariots of Odisha, showcasing their unique features, crafts, and deep ties to the region’s temple architecture.