Han Yu’s Poetry and Buddhist Gāthās
摘要
Han Yu (768–824), a prominent poet of the mid-Tang dynasty, crafted poetry characterized by boldness, grandeur, and an expansive, free-flowing style. His works are marked by vigorous descriptions and a distinctive, forceful expression. Historically, Han Yu followed the great poets Li Bai and Du Fu, emerging during a period when Tang poetry had reached its peak and faced challenges in evolving further. After several decades of relative stagnation and exploration, Han Yu drew on some innovative features found in Du Fu’s poetry, amplifying them toward an eccentric and prose-like style, thus driving Tang poetry into new territory. The Song dynasty writer Chen Shidao (1053–1101) remarked in Poetry Talks of the Recluse of Rear Mountain (Houshan Jushi Shihua《後山居士詩話》): “Han Yu wrote poetry as if writing prose, while Su Shi composed lyrics like poetry, much like Lei Dashi’s dance in the Imperial Music Bureau—though highly skilled, it strayed from the original form.” This comment, while critical of Han Yu’s poetic method, aptly highlights his pivotal role in transforming Tang poetry.