This article begins by examining the factors that influence Hong Kong Cantonese opera performers in developing distinctive singing styles and establishing their personal styles. It then focuses on the views of Cantonese opera artists, critics, and beginners regarding the development of individual styles among performers, before reflecting on and discussing the conditions for the creation of new singing styles. The creation of new singing styles in Cantonese opera generally depends on four aspects: performers’ personal orientation, Cantonese opera education, audience expectations and influence, and support from government policies. It is hoped that through the concerted efforts of various sectors, Cantonese opera will continue to promote innovation and the transmission of cultural heritage.

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Examining the Conditions for the Creation of New Cantonese Opera Singing Styles: From the Perspective of Creativity Theory

  • Bo-wah Leung

摘要

This article begins by examining the factors that influence Hong Kong Cantonese opera performers in developing distinctive singing styles and establishing their personal styles. It then focuses on the views of Cantonese opera artists, critics, and beginners regarding the development of individual styles among performers, before reflecting on and discussing the conditions for the creation of new singing styles. The creation of new singing styles in Cantonese opera generally depends on four aspects: performers’ personal orientation, Cantonese opera education, audience expectations and influence, and support from government policies. It is hoped that through the concerted efforts of various sectors, Cantonese opera will continue to promote innovation and the transmission of cultural heritage.