Since 2014, one of the most closely followed central issues in the field of Chinese film historiography—and indeed in Chinese film studies more broadly—has been a series of debates among domestic and international scholars concerning the writing and methodological approaches of Chinese film history.

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The Awakening of Subjectivity in Film Historiography Since 1978

  • Tan Qiuwen

摘要

Since 2014, one of the most closely followed central issues in the field of Chinese film historiography—and indeed in Chinese film studies more broadly—has been a series of debates among domestic and international scholars concerning the writing and methodological approaches of Chinese film history.