Sonic Modernities: The Politics and Aesthetics of Trans-National Music in the Diaspora During and After Apartheid
摘要
The aesthetic developments examined in this chapter grew from the creative adaptations, learning innovations, and community practices documented in preceding chapters. Having explored how musicians navigated constraints, developed alternative pedagogies, and negotiated gender expectations, we now turn to how these responses culminated in distinctive sonic identities that challenged conventional categories of musical authenticity.