Traditional and extended techniques for the right hand (RH) including the palm and knuckles were addressed extensively in The Techniques of Guitar Playing, Chapter 1.8.1 Therefore this chapter serves to enhance a particular set of analogs to extend and broaden the discourse on these techniques and also address a key aspect of e-guitar performance: the use of the plectrum or pick. There are situations where composers might desire a softer, rounded and warmer sound with less attack than a plectrum would yield or they might wish to employ Bartók pizzicato or basic rasgueado patterns, which are all viable techniques on the electric. Steel strings can damage a guitarist’s carefully manicured nails, though, which may be a real consideration for certain players.2

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The Right Hand

  • Seth F. Josel,
  • Michelle Lou

摘要

Traditional and extended techniques for the right hand (RH) including the palm and knuckles were addressed extensively in The Techniques of Guitar Playing, Chapter 1.8.1 Therefore this chapter serves to enhance a particular set of analogs to extend and broaden the discourse on these techniques and also address a key aspect of e-guitar performance: the use of the plectrum or pick. There are situations where composers might desire a softer, rounded and warmer sound with less attack than a plectrum would yield or they might wish to employ Bartók pizzicato or basic rasgueado patterns, which are all viable techniques on the electric. Steel strings can damage a guitarist’s carefully manicured nails, though, which may be a real consideration for certain players.2