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For the final analytical overview in the concluding section of this dissertation (IV 8), it is necessary to extend the analytical chapters with a supplement comprising two compositions that have only been briefly presented or mentioned so far (III), namely the Wandererfantasie in C major D 760 and the Piano Trio in E-flat major D 920. The aim of this chapter is to cursorily address the main interrelated overarching archetypal motifs and principles inherent in these two works.

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Post-Analytical Supplement: The Wanderer and the “Dümmling” Archetypes

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  • 发表日期：

    2026年

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  • Leonor Dill

摘要

For the final analytical overview in the concluding section of this dissertation (IV 8), it is necessary to extend the analytical chapters with a supplement comprising two compositions that have only been briefly presented or mentioned so far (III), namely the Wandererfantasie in C major D 760 and the Piano Trio in E-flat major D 920. The aim of this chapter is to cursorily address the main interrelated overarching archetypal motifs and principles inherent in these two works.