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The simultaneous “awakening of a national consciousness [taking place] within the European people at the beginning of the 19th-Century […]” led to “ […] national dances being integrated into art music”. Schubert himself wrote around 500 dances, many among them having emerged out of improvisations at the piano. Consequently, these dances are anchored within a folk musical tradition, i.e., they present folk music characteristics, reflect musically the Austrian idiom and are strongly linked to societal values.

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Impressions: the “Viennese” vs. “Cultural Appropriation”

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  • 发表日期：

    2026年

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  • Leonor Dill

摘要

The simultaneous “awakening of a national consciousness [taking place] within the European people at the beginning of the 19th-Century […]” led to “ […] national dances being integrated into art music”. Schubert himself wrote around 500 dances, many among them having emerged out of improvisations at the piano. Consequently, these dances are anchored within a folk musical tradition, i.e., they present folk music characteristics, reflect musically the Austrian idiom and are strongly linked to societal values.