From the mid-1920s onwards, Jella Lepman – a young widow and mother of two small children – worked as a freelancer for various newspapers and magazines, primarily for the Stuttgarter Neues Tagblatt, a leading and renowned newspaper in southern Germany. From November 17, 1927, to March 8, 1933 she was editor-in-chief of the supplement Die Frau in Haus, Beruf und Gesellschaft (Women in Home, Work, and Society), which appeared every 14 days in the Stuttgarter Neues Tagblatt. As an „impartial newspaper“, it was aimed at all women in Württemberg and had a print run of approximately 65,000 copies. Jella Lepman was also politically active in the German Democratic Party and ran for the Reichstag in 1928. Over five years 139 issues of Jella Lepman’s women’s supplement were published: generously laid out with art illustrations, photos, and drawings, covering a wide range of topics. The following chapter takes an in-depth look at this largely unknown aspect of Lepman’s journalistic work for the first time. It reflects the editor’s left-liberal thinking with a clear focus on women’s issues.

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Verantwortlich für den Text. Jella Lepman als Redakteurin der Frauenbeilage Die Frau in Haus, Beruf und Gesellschaft des Stuttgarter Neuen Tagblatts von 1927 bis 1933

  • Irene Ferchl

摘要

From the mid-1920s onwards, Jella Lepman – a young widow and mother of two small children – worked as a freelancer for various newspapers and magazines, primarily for the Stuttgarter Neues Tagblatt, a leading and renowned newspaper in southern Germany. From November 17, 1927, to March 8, 1933 she was editor-in-chief of the supplement Die Frau in Haus, Beruf und Gesellschaft (Women in Home, Work, and Society), which appeared every 14 days in the Stuttgarter Neues Tagblatt. As an „impartial newspaper“, it was aimed at all women in Württemberg and had a print run of approximately 65,000 copies. Jella Lepman was also politically active in the German Democratic Party and ran for the Reichstag in 1928. Over five years 139 issues of Jella Lepman’s women’s supplement were published: generously laid out with art illustrations, photos, and drawings, covering a wide range of topics. The following chapter takes an in-depth look at this largely unknown aspect of Lepman’s journalistic work for the first time. It reflects the editor’s left-liberal thinking with a clear focus on women’s issues.