Our paper examines animal cruelty in Romanian literature aimed at young readers. The study focuses on works with animal characters by canon Romanian authors like I.L. Caragiale, Ion Creangă, and Marin Preda, which have been included in school curricula and remain relevant today. These realist-naturalist texts defy fairy tale norms by depicting graphic animal violence: a dog thrown from a moving train, a goat crushed by a boulder, and a boy tormenting an ewe. We argue that these works’ inclusion in syllabi serves as stark social commentary on issues like snobbery, poverty, and social inequality. To determine if this approach is unique to Central and East European literature and its English translations, we analyze how animal cruelty scenes were translated during communism. Our findings suggest that Romanian children, especially under communism, were socialized to see these violent scenes as metaphors for social protest, a perspective largely retained in English translations.

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Lessons About Animal Cruelty: The Socialization of Violence in Romanian Literature Targeted at Young Romanian and English-Speaking Audiences

  • Anca Simina Martin,
  • Cosmin Borza

摘要

Our paper examines animal cruelty in Romanian literature aimed at young readers. The study focuses on works with animal characters by canon Romanian authors like I.L. Caragiale, Ion Creangă, and Marin Preda, which have been included in school curricula and remain relevant today. These realist-naturalist texts defy fairy tale norms by depicting graphic animal violence: a dog thrown from a moving train, a goat crushed by a boulder, and a boy tormenting an ewe. We argue that these works’ inclusion in syllabi serves as stark social commentary on issues like snobbery, poverty, and social inequality. To determine if this approach is unique to Central and East European literature and its English translations, we analyze how animal cruelty scenes were translated during communism. Our findings suggest that Romanian children, especially under communism, were socialized to see these violent scenes as metaphors for social protest, a perspective largely retained in English translations.