The chapter delves into Succha Singh Zakhmi’s Punjabi translation of Shakespeare’s Othello, titled Nirdosh Doshi, within the postcolonial context of India during its Independence. It examines Zakhmi’s translation decisions, highlighting the nuances of anuvad (translation) and questioning the rationale behind dedicating the work to a former Inspector General of Prisons. Additionally, it studies how the translation incorporates Punjabi theater techniques, storytelling, and legal aspects inherent in Shakespeare’s original text. The entry uniquely combines literary analysis and sociopolitical context to go beyond the traditional parameters of translational studies. It investigates whether and how Nirdosh Doshi responds to emergent reform movements and its audience in Punjab. The analysis sheds light on the complexities of translation as a political act, advocating for a more comprehensive understanding of Shakespeare’s reception in India.