This concluding chapter synthesizes the monograph's core arguments while exploring their implications for creativity research, educational practice, and the broader understanding of cognition. The chapter articulates five principles for a symmetrical anthropology of creativity—visibility, symmetry, temporality, materiality, and contingency—that together reframe creative work as an emergent property of specific material assemblages rather than as a capacity individuals possess. The chapter outlines a research program organized around these principles for supporting materially grounded creativity research. The chapter concludes by arguing that opening the black box of creativity requires recognizing it as distributed cognition that emerges through interaction between humans and material environments. This perspective relocates wonder from mysterious mental processes to the remarkable emergent properties of human-material assemblages, with implications extending beyond creativity to questions about cognition, learning, and innovation.