The focus of this collection is the imagistic representations of bisexuality and the ways in which bisexuality itself has been reproduced, discoursed, and (mis)understood within the cultural imagination vis-à-vis popular literary, social, and media forms. Much like Merl Storr’s defining work in the field, Bisexuality: A Critical Reader, this collection is “about bisexuality and not about bisexuals” (1999, 1); it is concerned not with the problematisation of “being bisexual”—a preoccupation of Storr’s writing—but with the cultural relevance and impact bisexuality has had (/is having) on and through popular forms of literature, culture, and media, today.