In this section, we look at a non-linear effect specific to brass instruments. The effect on the sound produced is first described in the temporal and spectral domains. Elements of non-linear acoustics to explain the origin of this effect are gradually introduced. Depending on the intended application, models of varying complexity are available, some of which are described in more detail.

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Brassiness in Wind Instruments

  • Christophe Vergez,
  • Bruno Cochelin,
  • Vincent Fréour,
  • Etienne Gourc,
  • Filipe Soares

摘要

In this section, we look at a non-linear effect specific to brass instruments. The effect on the sound produced is first described in the temporal and spectral domains. Elements of non-linear acoustics to explain the origin of this effect are gradually introduced. Depending on the intended application, models of varying complexity are available, some of which are described in more detail.