This concluding chapter reflects on how minicomics and cartoons make connections between photocopiers, extinct creatures, and museum exhibits, noting the resilience of photocopying technology and the range of feelings xerography elicits.

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  • Paul Williams

摘要

This concluding chapter reflects on how minicomics and cartoons make connections between photocopiers, extinct creatures, and museum exhibits, noting the resilience of photocopying technology and the range of feelings xerography elicits.