The study of kinaesthetic imagination continues to address the problems already raised by Husserl and Sartre. An important task is posed in this section: to explore kinaesthetic imagination in order to purify it from other forms of imagination. This is not an easy task. One achievement has been to dispel false assumptions and mixed concepts rather than to gain new positive insights. Revising an earlier critique (Karoblis, Productive kinaesthetic imagination. In S. Geniusas (Ed.), Stretching the limits of productive imagination: Studies in kantianism, phenomenology and hermeneutics (pp. 219–237). Rowman and Littlefield, 2018), this study returns to the analysis of micro-movements proposed by Sartre. Finally, the theme of kinaesthetic imagination is further developed through the analysis of kinaesthetic play and imitation, revealing two kinds of kinaesthetic spontaneity: practical and playful. Indeed, the future world of virtual reality will have to take into account the leitmotif of this book: kinaesthetics corresponds to appearance.