This chapter is the result of an artist and a curator meeting at a conference and a mutual understanding igniting—a recognition of a shared curiosity about the space between the subject and object in artworks, specifically artworks composed of computational materials. It investigates the practice-based and -led research activities of artist Zoe Li and curator Deborah Turnbull Tillman. It includes excerpts from an interview that took place during the launch of the new artwork produced during the process of international academic inquiry at a PhD level—the collaborative research cycle of an artist and a curator working through their collective methodologies. Through engaging with Tillman’s criteria for curating interactive art, Li was able to further develop her PhD study on the body-machine relationship.