Veteran broadcaster Yoram Ronen, a former presenter at “Galei Tzahal” (“IDF Waves,” the Israeli Army Radio), and host of “Yoman Ha’Shavua” (“The Weekly Journal”) on “Kol Yisrael” (“The Voice of Israel,” the Israeli public radio service), had recently returned from a professional seminar for television presenters and producers in Glasgow, Scotland, where he had learned the secrets of the trade. It was there that he had also started to embody the spirit of the British public broadcasting ethos: gentlemanly restraint, eloquence, and stateliness—these were but a few of its characteristics. Thus, as the television broadcast of the IDF parade began, Ronen’s voice is heard over the image: “The nation’s twentieth anniversary celebration is perhaps above all the celebration of a reunified Jerusalem. Last year we watched it from afar, divided… distant. One year ago, IDF’s outpost stood on the roof of the Notre Dame monastery, overlooking the Ancient City and the Arab Legion’s posts. Today a television camera stands on the roof of the Notre Dame in the place of rifles and machine guns.”

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Broadcasting Israel

  • Dan Arav

摘要

Veteran broadcaster Yoram Ronen, a former presenter at “Galei Tzahal” (“IDF Waves,” the Israeli Army Radio), and host of “Yoman Ha’Shavua” (“The Weekly Journal”) on “Kol Yisrael” (“The Voice of Israel,” the Israeli public radio service), had recently returned from a professional seminar for television presenters and producers in Glasgow, Scotland, where he had learned the secrets of the trade. It was there that he had also started to embody the spirit of the British public broadcasting ethos: gentlemanly restraint, eloquence, and stateliness—these were but a few of its characteristics. Thus, as the television broadcast of the IDF parade began, Ronen’s voice is heard over the image: “The nation’s twentieth anniversary celebration is perhaps above all the celebration of a reunified Jerusalem. Last year we watched it from afar, divided… distant. One year ago, IDF’s outpost stood on the roof of the Notre Dame monastery, overlooking the Ancient City and the Arab Legion’s posts. Today a television camera stands on the roof of the Notre Dame in the place of rifles and machine guns.”