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This chapter begins with an analysis of the film The Abominable Dr Phibes and its Art Deco design and then goes on to analyse the rise of occultism and drugs in the 1960s and 1970s counterculture with reference to the revived Glastonbury Festival. The is also a detailed consideration of all the occult and magical societies in London in 1970, the new psychological horror films of the 1960s and to the exoteric Eastern ideas of Lobsang Rampa[aut]Rampa, Lobsang (Cyril Hoskin) (Cyryl Hoskin).

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Dr Phibes Goes to Biba; Jesus Finds a House in Mayfair

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  • 发表日期：

    2026年

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  • Clive Bloom

摘要

This chapter begins with an analysis of the film The Abominable Dr Phibes and its Art Deco design and then goes on to analyse the rise of occultism and drugs in the 1960s and 1970s counterculture with reference to the revived Glastonbury Festival. The is also a detailed consideration of all the occult and magical societies in London in 1970, the new psychological horror films of the 1960s and to the exoteric Eastern ideas of Lobsang Rampa[aut]Rampa, Lobsang (Cyril Hoskin) (Cyryl Hoskin).