The tangible heritage of a region, particularly its textile traditions, often serves as a primary marker of its cultural identity. This literature review studies the role of fabric arts in the cultural expression of Pangasinan province in the Philippines. A systematic review of historical backgrounds, cultural publications, and recent news archives reveals a notable absence of a deeply rooted, continuous, and widespread indigenous textile weaving tradition for clothing in the province. Historically, Pangasinan’s material culture was characterized by non-textile crafts and a reliance on imported fabrics obtained through extensive trade networks. This historical context makes the contemporary situation particularly compelling. As of mid-2025, Pangasinan is the site of new, institutionally-driven initiatives aimed at establishing a local textile industry. These projects are twofold: a technology-focused hub for developing bamboo-based textile fibers and a culturally-focused center for reviving the transplanted handloom weaving traditions of Cordilleran migrant communities. This paper argues that Pangasinan is not merely preserving a dormant craft but is actively designing a new and evolving cultural identity in fabric, one that is uniquely shaped by the confluence of technological innovation, cultural migration, and institutional support. The findings suggest that Pangasinan offers a unique case study in the contemporary construction of cultural heritage.