Scholarlink

The music theory, which was presented in the previous chapter dealt with musical objects, such as pitches, pitch classes, and note abstractions focusing on pitch and onset and duration. But in music, such abstractions are always referring to compositions. In this chapter, we want to construe the standard environment, where compositions are living, and where music theory applies, called the score. Be aware that this is still a musical reality, which is detached from performance in the physical reality; we shall deal with performance in the next part of this book.

错误：搜索内容不能为空，请输入英文关键词
错误：关键词超出字数限制，请精简
高级检索

Gestures in Theory and Scores

  • 章节

  • 发表日期：

    2026年

查看全文
  • Guerino Mazzola,
  • Ryan Dornfeld,
  • Ruochen Xi,
  • Ran Xu,
  • Junze Gong,
  • Yuwen Sun,
  • Qiu Qiu,
  • Micah Winter,
  • Jasmin Bryan-Moreira

摘要

The music theory, which was presented in the previous chapter dealt with musical objects, such as pitches, pitch classes, and note abstractions focusing on pitch and onset and duration. But in music, such abstractions are always referring to compositions. In this chapter, we want to construe the standard environment, where compositions are living, and where music theory applies, called the score. Be aware that this is still a musical reality, which is detached from performance in the physical reality; we shall deal with performance in the next part of this book.