This work aims to discuss the fictional dynamics of creative processes with indigenous artists who perform. The study in question will seek to critically debate, through creative processes and indigenous performance art, the affirmative sociocultural discussion of promoting original people’s lives. In view of this, the general objective of this text is to analyze the creative processes in the performance “Hacking the 33rd Bienal de Artes de São Paulo” by Denilson Baniwa from a cultural and dialogic perspective. This circumscription occurs so that it is possible to develop analytical clues of an artistic performance for the thesis under development. To do this, we present in a descriptive way who Denilson Baniwa is, what his performance consisted of and its importance for the historiography of the Arts Biennial in São Paulo. Next, there will be a discussion about which perspective on creativity is adopted in this work and how it helps to uncover the sociocultural plots that appear in Baniwa’s work. Finally, the performance will be the subject of a cultural and dialogical analysis that seeks to discuss the statements presented in the work.