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The chapter begins with memorial remarks following upon Mann’s death by Lukács, Hatvany, and Kerényi—especially the latter’s reflections on Mann and Dostoevsky’s differing views of the devil. It concludes with Kerényi’s insistence that Lukács was the model for the revolutionary character Naphta in The Magic Mountain, and with a renewed emphasis on Mann’s deep involvement with Hungary and Hungarian culture.

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Epilogue

  • 章节

  • 发表日期：

    2025年

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  • Lee Congdon

摘要

The chapter begins with memorial remarks following upon Mann’s death by Lukács, Hatvany, and Kerényi—especially the latter’s reflections on Mann and Dostoevsky’s differing views of the devil. It concludes with Kerényi’s insistence that Lukács was the model for the revolutionary character Naphta in The Magic Mountain, and with a renewed emphasis on Mann’s deep involvement with Hungary and Hungarian culture.