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The chapter features the author’s own contributions to the semiotic analysis of popular music, combining adaptations from existing theories and novel ideas. It starts by raising some of the most important research questions, then, in a crossdisciplinary fashion, classifies the various forms of musical text, often borrowing from rhetoric, audiovisual and narrative studies and with particular attention to the process of interpretation.

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Research Questions and Models

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  • 发表日期：

    2025年

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  • Dario Martinelli

摘要

The chapter features the author’s own contributions to the semiotic analysis of popular music, combining adaptations from existing theories and novel ideas. It starts by raising some of the most important research questions, then, in a crossdisciplinary fashion, classifies the various forms of musical text, often borrowing from rhetoric, audiovisual and narrative studies and with particular attention to the process of interpretation.