This chapter draws on David Eng and Jasbir Puar’s ideas from Left of Queer, particularly the ‘utility of a subjectless critique’, alongside Caroline Levine’s work on the political and social impacts of form. It investigates how queerness manifests today by examining the Queer Museum Vienna (QMV), an activist artists’ initiative that exists primarily online and as a mobile entity, featuring digital media, talks, and performances. As the chapter argues, the QMV reimagines the traditional museum model and challenges typical associations with LGBTQIA+ memory and mourning. Instead of focusing solely on past figures, the QMV curates content that is both ‘transhistorical’ and ‘material’, embracing digital and performance art to portray a vibrant, living queer culture. Through the QMV, the authors of this chapter invite readers to think differently about ‘form’ by using the museum platform to celebrate and document a dynamic queer community, both Austrian and international. They argue that the QMV’s approach positions the present as a historical foundation, building an evolving archive of contemporary queer existence. By analysing the museum’s projects, they demonstrate how the QMV fosters community and redefines history, merging the present and the historical to challenge traditional notions of queer heritage and legacy.