When a pop songPop song called “Reality” played in the Korean film Sunny (써니, Kang Hyeong-cheol, 2011), a similar scene from a French film was conjured in my memory. This cannot simply be defined as a copycat, from the script to the production of the film.

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Introduction

  • Tianfang Lin

摘要

When a pop songPop song called “Reality” played in the Korean film Sunny (써니, Kang Hyeong-cheol, 2011), a similar scene from a French film was conjured in my memory. This cannot simply be defined as a copycat, from the script to the production of the film.