This chapter synthesises the book’s findings, demonstrating how intersemiotic translation and intermedial circulation function as interconnected processes in novel to stage adaptation. It evaluates the adaptability of the proposed theoretical model across the three case studies, Alice’s Adventures in Wonderland, A Clockwork Orange, and Frankenstein, highlighting how each adaptation negotiates textual transformation, staging strategies, and sociocultural positioning within distinct theatrical contexts. The chapter provides a comparative analysis, identifying key patterns and divergences in how intersemiotic translation strategies interact with intermedial circulation. By integrating sociological and intersemiotic perspectives, the chapter demonstrates that intersemiotic translation in novel to stage adaptations is not an isolated textual process but one embedded in broader cultural, institutional, and economic frameworks.