The twenty-first century-Russian historical memory of women as victims and as perpetrators of violence during the Russian Civil War (1918–1921) illuminates contemporary Russian visions of womanhood and the conservative reimagining of women’s roles in present-day Russia. This essay focuses both on sensationalistic depictions of the women of the Romanov family as victims of revolutionary violence and on lurid representations of six female perpetrators of Red and White violence during the Civil War era. The Romanov women are usually depicted as tragic victims, symbols of traditional womanhood, and models of ideal female piety, deserving of veneration as saints. Meanwhile, many depictions describe women who perpetrated violence in the Civil War era as hysterical, insane, and demonic, denying the women any individual agency and sometimes even humanity. These representations also carry antisemitic undertones, as narratives focus on Jewish and Hungarian perpetrators, suggesting that revolutionary acts of violence are not “Russian.”

错误:搜索内容不能为空,请输入英文关键词
错误:关键词超出字数限制,请精简
高级检索

Gender, Violence, and the Russian Civil War in Contemporary Russian Memory

  • Karen Petrone

摘要

The twenty-first century-Russian historical memory of women as victims and as perpetrators of violence during the Russian Civil War (1918–1921) illuminates contemporary Russian visions of womanhood and the conservative reimagining of women’s roles in present-day Russia. This essay focuses both on sensationalistic depictions of the women of the Romanov family as victims of revolutionary violence and on lurid representations of six female perpetrators of Red and White violence during the Civil War era. The Romanov women are usually depicted as tragic victims, symbols of traditional womanhood, and models of ideal female piety, deserving of veneration as saints. Meanwhile, many depictions describe women who perpetrated violence in the Civil War era as hysterical, insane, and demonic, denying the women any individual agency and sometimes even humanity. These representations also carry antisemitic undertones, as narratives focus on Jewish and Hungarian perpetrators, suggesting that revolutionary acts of violence are not “Russian.”