Scholarlink

In early 1966, Tony Conrad screened the final version of his film, ‘Flicker,’ at the Filmmaker’s Cinémathèque on West 41st Street. Notably, Conrad’s thirty-minute piece begins with a title card that lasts over a minute and a half, warning the audience that a physician should be present during the film’s screening. Conrad, and several New York based artists like Harry Smith, M. Henry Jones, Bill Brand, and Gregory Barsamian, explored the moving image from a deeply cerebral, mathematical, and physiological point of view, innovating unique approaches to animation well outside the mainstream. 

错误：搜索内容不能为空，请输入英文关键词
错误：关键词超出字数限制，请精简
高级检索

The Inventor, the Alchemist, and the Mad Scientist of the East Village

  • 章节

  • 发表日期：

    2025年

查看全文
  • Robby Gilbert

摘要

In early 1966, Tony Conrad screened the final version of his film, ‘Flicker,’ at the Filmmaker’s Cinémathèque on West 41st Street. Notably, Conrad’s thirty-minute piece begins with a title card that lasts over a minute and a half, warning the audience that a physician should be present during the film’s screening. Conrad, and several New York based artists like Harry Smith, M. Henry Jones, Bill Brand, and Gregory Barsamian, explored the moving image from a deeply cerebral, mathematical, and physiological point of view, innovating unique approaches to animation well outside the mainstream.