In this conclusion, I first summarise my key contributions in each chapter, before identifying recurring themes and issues across the chapters. In doing so, I demonstrate not so much what intercultural feminism is, but rather what intercultural feminism does, when placed in relation to performances of Shakespeare in East and Southeast Asia as seen from my own positionality. In my final paragraphs, I consider the ways in which intercultural feminist approaches and viewpoints could inform future research into gender and feminism in Asian (and non-Anglophone) productions and performance contexts.