This chapter examines the courthouse as a choreographic and symbolic space where legal authority is visually performed and socially reinforced. Drawing on legal semiotics, architectural theory, and courtroom ethnography, it argues that justice is not only administered but staged through spatial hierarchy, ritualized movement, and esthetic form. Architectural elements such as columns, elevation, and allegorical iconography are shown to communicate legitimacy, authority, and continuity, while courtroom layouts choreograph legal roles and power relations. From monumental neoclassical buildings to makeshift courtrooms in postcolonial or authoritarian contexts, judicial architecture both reflects and produces legal meaning. The chapter considers how spatial design shapes public perceptions of law, how visual tropes like Lady Justice function across cultures, and how movement and ritual materialize legal identity. Ultimately, it positions the courthouse as a performative apparatus that translates legal authority into a visible, embodied experience, central to how law is believed, enacted, and sustained. The discussion develops in three movements: first, examining the ideological force of legal architecture as a semiotic system; second, analyzing how ritual and spatial choreography stage authority in the courtroom; and finally, considering future directions that extend legal architecture beyond the courtroom into digital, precarious, and postcolonial contexts.