Scholarlink

Taking cue from the archaeological reinterpretation of the history of Indian theatre post-1980s in the previous chapter, this chapter focuses on the feminist genealogyFeminist genealogy of the gender ontology vis-à-vis the theatrical intervention of the four Indian female directors—Anamika Haksar, Anuradha Kapur, Kirti Jain, and Tripurari Sharma.

错误：搜索内容不能为空，请输入英文关键词
错误：关键词超出字数限制，请精简
高级检索

Feminist Aesthetics and Performance–Productions

  • 章节

  • 发表日期：

    2025年

查看全文
  • Indu Jain

摘要

Taking cue from the archaeological reinterpretation of the history of Indian theatre post-1980s in the previous chapter, this chapter focuses on the feminist genealogyFeminist genealogy of the gender ontology vis-à-vis the theatrical intervention of the four Indian female directors—Anamika Haksar, Anuradha Kapur, Kirti Jain, and Tripurari Sharma.