This concluding chapter attempts to summarize the situation of Moroccan cinema in the third decade of the twenty-first century and addresses subjects such as the performance of Moroccan films both nationally and internationally, attendance levels and numbers of theaters, the growing attention to Moroccan cinema internationally, and organizational issues related to the sector’s centralized structure and freedom of expression. Finally, the author reflects on how various aspects of the Moroccan “mosaic” have been addressed in this book.

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Conclusion: Whither the Moroccan Filmmaker’s Odyssey? (2024)

  • Kevin Dwyer

摘要

This concluding chapter attempts to summarize the situation of Moroccan cinema in the third decade of the twenty-first century and addresses subjects such as the performance of Moroccan films both nationally and internationally, attendance levels and numbers of theaters, the growing attention to Moroccan cinema internationally, and organizational issues related to the sector’s centralized structure and freedom of expression. Finally, the author reflects on how various aspects of the Moroccan “mosaic” have been addressed in this book.