In the interweaving of the senses and their sensitives we guess a restlessness that confirms and surpasses the transcendental aesthetic intuited by Husserl in the spatio-temporal constitution of logic. For us, it is an a priori ontopoietic correlation of knowledge at the very base of sensation and the original donation of meaning or language. This indicates a priority of world-mind resonance whose characteristic is aesthetic and transcends as poiesis the resonant gravitation of the primary qualities and their relationships—“universal relationship” of Kant and universal correlation of both Husserl and Amor Ruibal—tending to be objectified in the process they reveal. Philosophers such as Konrad Fiedler, George Santayana, Martin Heidegger, Mikel Duffrenne and other contemporary people noticed this priority already intuited by Plato, developed by Aristotle and present in diverse ways in the work of great thinkers attentive to this phenomenon and who serve as a guide, such as Spinoza, Kant, Hegel, Amor Ruibal, Levinas, Merleau-Ponty, Ortega y Gasset, etc. We can also reinterpret aesthetic, critical and even neurological references. What is revealed has existential value.