The evolution of Iranian photography from the 2010s to the present is a complex and multifaceted phenomenon that defies easy categorization. The trends and movements that have emerged are closely linked to those of the preceding decade, illustrating a continuity in artistic innovation and expression. Despite the government’s attempts to promote a return to traditional cultural values and revolutionary ideals, the realm of art and photography has been propelled forward by a stream of new ideas that first took root in the mid-1990s. Consequently, the distinction between formal and informal art has become more evident, driven by the growth of online activities and the expansion of unofficial channels for news and information. One notable current that has emerged in recent years is the departure from conceptualism, which has led to a resurgence of interest in the formalistic and emotional qualities of photography. Another current is characterized by the emulation of snapshots and personal photography styles to reveal hidden layers of personal life or to discuss controversial topics concerning personal and social life in Iran.