This introductory chapter provides historical context for the intersections between sound, madness, and theatre, situating the book within current research in sound studies and mad studies, in particular outlining the concept of “mad methodologies” as they apply to subsequent case studies.

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Introduction

  • Matthew Tomkinson

摘要

This introductory chapter provides historical context for the intersections between sound, madness, and theatre, situating the book within current research in sound studies and mad studies, in particular outlining the concept of “mad methodologies” as they apply to subsequent case studies.