This volume constitutes one of the first systematic inquiries into Italian experimental and avant-garde cinema in the English language. Written by an array of Italian and international experts in the history and theory of experimental audio-visual work, it is focused on the Italian underground experience and presents a history of the Italian experimental moving image as a far more spontaneous development than most other critical histories would lead us to believe.

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Introduction

  • Rossella Catanese,
  • Jennifer Malvezzi

摘要

This volume constitutes one of the first systematic inquiries into Italian experimental and avant-garde cinema in the English language. Written by an array of Italian and international experts in the history and theory of experimental audio-visual work, it is focused on the Italian underground experience and presents a history of the Italian experimental moving image as a far more spontaneous development than most other critical histories would lead us to believe.