This essay explores the significance of redundancy and the corporate suppression of creative processes, exaptation, justified by transient and regionally-bound moral standards originating in the United States and imposed imperialistically worldwide. The curtailment and censorship of image creation, even in the embryonic stages (the very early stages of concept development of an image), is enforced based on a decontextualized interpretation of prohibited terms. This new form of censorship not only challenges the First Amendment within the United States but also undermines the fundamental essence of human expression, flourishing in the realms of redundancy and experimentation. The argument posited in this essay contends that constraints and censorship imposed by Adobe through Photoshop’s AI on images during their formative stages inhibit creativity on a global scale. Moreover, they propagate a blanket conformity to frameworks that bear imperialistic characteristics, impeding the growth of cultural diversity, originality, and alternative modes of thought.