This article aims to question the concept of natural and artificial, in a context of contemporary creation. Focusing on the field of research in human sciences, this article aims to address the issue of the creation process, in a world in which the artificial is increasingly valued to the detriment of the natural world. In a contemporary period in which there is so much discussion about the importance of artificial intelligence in various domains of human areas, we aim, through this observation, and above all as active researchers, to promote a pertinent discussion about what is considered to be: an artificiality and a naturalness, in several social fields, such as: the arts, spirituality and contemporary society. In focus in this paradigm are young higher education students, in whose context they feel devalued, due to the fact that they feel all this artificiality invade and exceed their intellectual, emotional and affective capacity. In this way, the artificial world as we understand it, and in which we created studies about everything, calculated, measured, discovered how it works, and naturally, from these, we take better care of our health, our bodies and currently the planet. However, now that powerful machines and even artificial intelligence solve everything, but always in an artificial way, how do human beings adapt? What is the value of a human being? Or will the artificial machine override the natural? But what is natural if everything created by human beings is in itself an artifice to represent the world around them. Among the questions asked, what are we talking about when we say ‘what is natural’? Based on a text by Francisco de Holanda (1517–1584), published on January 3, 1549, whose title: “Do Tirar Polo Natural”, it is a dialogue dedicated to the theme of painting or drawing a portrait from life. So how does the use of sophisticated technology replace human mechanisms, such as voice and expression, serving a creative purpose in the field of arts. In this context, the artificial also transmits a power of communication and seduction to our senses, as well as presenting results of artistic production. In this context, it is a reflection, as well as pure research, analyzing from the basis of mathematical reasoning, the oldest in the human world, a way of observing the world and recording it, whether through art, poetry, music or any other area of human creation. However, this observation has as its starting point, on the part of the researcher, a look at the student in the field of arts and design.

“Do Tirar Polo Natural”

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发表日期：

2025年

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Ana Gaspar

摘要

This article aims to question the concept of natural and artificial, in a context of contemporary creation. Focusing on the field of research in human sciences, this article aims to address the issue of the creation process, in a world in which the artificial is increasingly valued to the detriment of the natural world. In a contemporary period in which there is so much discussion about the importance of artificial intelligence in various domains of human areas, we aim, through this observation, and above all as active researchers, to promote a pertinent discussion about what is considered to be: an artificiality and a naturalness, in several social fields, such as: the arts, spirituality and contemporary society. In focus in this paradigm are young higher education students, in whose context they feel devalued, due to the fact that they feel all this artificiality invade and exceed their intellectual, emotional and affective capacity. In this way, the artificial world as we understand it, and in which we created studies about everything, calculated, measured, discovered how it works, and naturally, from these, we take better care of our health, our bodies and currently the planet. However, now that powerful machines and even artificial intelligence solve everything, but always in an artificial way, how do human beings adapt? What is the value of a human being? Or will the artificial machine override the natural? But what is natural if everything created by human beings is in itself an artifice to represent the world around them. Among the questions asked, what are we talking about when we say ‘what is natural’? Based on a text by Francisco de Holanda (1517–1584), published on January 3, 1549, whose title: “Do Tirar Polo Natural”, it is a dialogue dedicated to the theme of painting or drawing a portrait from life. So how does the use of sophisticated technology replace human mechanisms, such as voice and expression, serving a creative purpose in the field of arts. In this context, the artificial also transmits a power of communication and seduction to our senses, as well as presenting results of artistic production. In this context, it is a reflection, as well as pure research, analyzing from the basis of mathematical reasoning, the oldest in the human world, a way of observing the world and recording it, whether through art, poetry, music or any other area of human creation. However, this observation has as its starting point, on the part of the researcher, a look at the student in the field of arts and design.