In the concluding article, Jacek Nagłowski discusses his 360° 3D VR production Whispers, premiered at Venice Biennale, which he co-created with Patryk Jordanowicz. The author discusses how they created experiential work based on intimacy rather than spectacularism. He describes the implementation of the cinematic language, including lighting, framing and editing adapted to the conditions of Virtual Reality to strengthen the absorptive effect. Nagłowski also elaborates on how intimacy, sensuality and a specific approach to sound design support the presence of the participant in the virtual experience. The paper concludes by discussing how particular attributes of Virtual Reality may lead to a redefinition of the relationship between the creator, the participant and the represented world in the experience.

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Whispers: The Participant Is Present

  • Jacek Nagłowski

摘要

In the concluding article, Jacek Nagłowski discusses his 360° 3D VR production Whispers, premiered at Venice Biennale, which he co-created with Patryk Jordanowicz. The author discusses how they created experiential work based on intimacy rather than spectacularism. He describes the implementation of the cinematic language, including lighting, framing and editing adapted to the conditions of Virtual Reality to strengthen the absorptive effect. Nagłowski also elaborates on how intimacy, sensuality and a specific approach to sound design support the presence of the participant in the virtual experience. The paper concludes by discussing how particular attributes of Virtual Reality may lead to a redefinition of the relationship between the creator, the participant and the represented world in the experience.