Teatro San Carlo
摘要
He is standing, wrapped in a raincoat held at the waist by a sloppily knotted belt. A newspaper is sticking out from his pocket, l'Unità or Paese Sera. He is leaning against one of the white and gold consoles in the foyer of the San Carlo, crowded with the usual mix of people from high society and refined connoisseurs. It’s October, concert season.