Cairo 1954: Aan, Paving the Way for Hindi Films in Egyptian Cinema Halls
摘要
This chapter explores the significant year of 1954 in Cairo, Egypt, when Hindi cinema made its debut in Egyptian theaters with Mehboob Khan’s Aan. Set against the backdrop of decolonization, the Cold War, and the rise of the Non-Aligned Movement, this period witnessed a burgeoning cultural exchange in the Global South. The close relation between Egyptian leader Nasser and Indian Prime Minister Nehru positioned Cairo as a focal point of Indian foreign policy, paving the way for the introduction of Hindi films to the Middle East. Examining the political dynamics behind the screening of Hindi films in Egypt, this chapter elucidates the intricate interplay of cultural exchange and political patronage. Through an analysis of the critical reception of Aan in 1954, it uncovers the exotic motifs shaping film reception. Beyond print media reception, the chapter delves into the movie theater ecosystem, offering insights into the distribution and exhibition circuits of Egypt and their role in shaping the presence of Hindi cinema in the Egyptian cinematic landscape of the 1950s.