Calculation of the Proportion of Modernity in Dao Lang’s Lyrics from a Bie-Modernist Cultural Computing Perspective
摘要
This paper analyzes the reasons for the significant influence of Dao Lang’s songs by calculating the proportion of modernity in the lyrics of “Rakshasa Sea City” in albums such as “Mountain Songs are Lonely” and “Red Classic”, especially in “Mountain Songs are Lonely”. Conclusion: The lyrics of Dao Lang’s songs use rhetorical devices such as allusions, metaphors, and symbols to allude to society and criticize reality, and have sufficient modernity in their internal meanings. It is precisely this sufficient proportion of modernity that has formed the unprecedented traffic code of Dao Lang songs.