Stages in My Vuza Rhythmic Canons
摘要
Several stages in understanding and using the Vuza rhythmic canon structure are enumerated. The starting idea was to compose Vuza canons of moments instead of Vuza canons of single notes. The next idea was to integrate such Vuza canons in more complex structures: polyphony of a Vuza canon and one or more melodies, polyphony of Vuza canons, polyphony of Vuza canons and other musical structures. Another stage was that of Vuza canons of attacks, allowing overlapping of voices, but not of attacks. This musical form is in the spirit of classical canons.