Thinking the Poem: Elizabeth Bishop’s Weak-Transcendental “Crusoe in England”

“Thinking the Poem: Elizabeth Bishop’s Weak-Transcendental ‘Crusoe in England’”: What might a mode of grammatical and rhetorical criticism, one largely motivated “after Cavell after Wittgenstein,” look like, and do? Since those two predicates in the first place here—“rhetorical,” and the “grammatical” (philosophical) investigations of Cavell and Wittgenstein—are oriented to the practical in various senses, it may be better to continue to reformulate such ambition by again circumscribing another specific, concrete case.